It's safe to say Bristol, Connecticut is a long way from Monrovia.
After a 30-hour travel day - Monrovia, Brussels, DC, Hartford - sleep in my own bed wasn't hard to come by.
And let me tell you, I couldn't put a price on my morning coffee after ten days of Nescafe.
The most exciting part about returning from a shoot is looking at what we shot. I don't often micromanage my crew and look at everything we shot through a monitor on-location. You always remember where your cameras were, but how they shot it is always a mystery.
Today, like a kid a candy store, I opened everything and took just one bite of each. Yes, my job is better than yours.
I quickly screened through half the video we shot. I can't get enough of the street scenes from Monrovia and the other areas we visited. There's something about those faces we shot. A curiosity I can't explain. Imagine the feeling of seeing something for the first time. For some that we saw, it was the huge $100,000 camera Gregg pointed at them. For others in extremely remote areas, as our security explained, it was a white person. And as I mentioned in an earlier entry, imagine a 6'4", 265 pounder.
Other highlights included our final practice on the beach and the music with the Liberian Crusaders for Peace. That stuff is stunning. More updates to come as I digest it all in the upcoming weeks.
But first, more pressing items, like the not-so exciting part about returning from a shoot: expense reports. And in a cash-only country... yikes.